The final images of the movie may intend an echo of Samuel Beckett’s Happy Days, and the unusual presence of a British actor, and the seaside location, made me wonder if Haneke, like Alain Resnais, had conceived an interest in that often underestimated master of middle class horror: Alan Ayckbourn. There is the distinctive preoccupation with surveillance and video recording as technologically unsparing moral reproaches to what we choose not to see in our own behaviour. Of course, with a Haneke movie, we are waiting a final flourish of violence or shock. La película airea los trapos sucios de una familia burguesa de Calais. It is not a new direction for this film-maker, admittedly, but an existing direction pursued with the same inspiration as ever. Happy End: Not very Happy End - See 104 traveler reviews, 34 candid photos, and great deals for Liptovsky Mikulas, Slovakia, at Tripadvisor. And Haneke combines this with a new interest in the affectless visual texture of social-media livestreaming, instant messaging, and YouTube supercuts. La familia vive en el Calais actual como podría tratarse de otra ciudad, en otra época. Política de privacidad / condiciones de uso. And the final images got something between a laugh and a wince. But there is something irresistible about the director’s hostile precision and the way in … Happy End review: even with a Sia number, Michael Haneke's latest outrage feels shockingly familiar 3. The movie rehearses almost all of Haneke’s classic themes and visual ideas: family dysfunction, inter-generational revenge, the poisonous suppression of guilt and the return of the repressed. ‘Happy End’ Review: A Bleak and Twisted Comedy From Michael Haneke [TIFF] Posted on Saturday, September 9th, 2017 by Chris Evangelista Michael Haneke is not known for light-heartedness. Happy End is far from Haneke's best work, yet it still succeeds in forcing audiences to confront -- and uncomfortably consider -- the dark side of human nature. No sería la primera vez que nos topáramos en una película de Haneke con algo que de repente se desmorona sin que previamente mediara un motivo aparente para ello. Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. There is the horror of death combined with a Thanatos-like longing for its deliverance – one line in particular shows how Happy End has been inspired by the climactic moment of his previous film, Amour. 8/10. Isabelle Huppert plays Anne Laurent, effectively the chatelaine of a magnificent house and estate in Calais, having taken over the lucrative family construction and transport business from her ageing father Georges (Jean-Louis Trintignant). One of the strangest and most dysfunctional families I’ve seen in film. Happy End: Happy End: Amazon.es: Música. Meanwhile, Anne’s brother Thomas (Mathieu Kassovitz) has secrets of his own and must now look after the 12-year-old daughter of his previous marriage and accept her into their creepy manorial family compound. Todo, cómo no, con planos estáticos, diálogos en off y una mirada voyerista. © 2002-2021 Filmaffinity - Movieaffinity | Filmaffinity es una página de recomendación de películas y series, y es un medio totalmente independiente cuya principal prioridad es la privacidad y seguridad de los datos de sus usuarios. 'HAPPY END' tiene la frialdad y crueldad de Haneke, pero en esta ocasión, aborda demasiados temas con la burguesía como fondo, y le queda algo deslavazado el asunto. Hay temas que Haneke ya había tratado con maestría en sus obras anteriores: el suicidio en El séptimo continente, las fantasías sexuales de La pianista... Ni siquiera el que parecía el tema principal, los refugiados, se representa como debería, reducido a una escena que utiliza a los inmigrantes de forma anecdótica, sin implicación del director en el problema. Inevitably, perhaps, this comes from Huppert. It hardly needs saying that the adjective in the title is about as accurate as the one in Haneke’s Funny Games. Saltar al contenido principal. In 1977 it premiered on Broadway, where it ran for 75 performances. [Full Review in Spanish] ¿Te ha resultado interesante y/o útil esta crítica? There’s an honesty and realism I find in Happy End that American films with similar themes lack. Often Haneke’s cinema is a cousin to conventional horror, conventional thrillers. Con frecuencia las señales de la felicidad externa y perceptible, los indicios del encumbramiento, aparecen cuando en realidad todo camina ya hacia el ocaso. 2017 Drama Film Happy End Movie Review. No lo parece. 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